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Grounding 2020

The Ivanovskaya Gorka district is full of captivating stories and striking contrasts. This is a place where tsars and holy fools, saints and criminals crossed paths. Here stands the Ivanovsky Monastery—once a male monastery, now a female one—which underwent multiple transformations throughout the turbulent 20th century: it served as a correctional home (essentially a prison), housed an NKVD regiment, and even functioned as a shooting range. Here, paradise gardens coexist with the boozy revelry of Khitrovka.

Nearby is the Salt Fish Yard—the ancestor of the legendary basement garages of underground Moscow—along with the Church of All Saints on Kulishki, famous for its devil on the bell tower, and the place where the infamous "Bloody Baroness" Saltychikha was imprisoned. And there's much more to ignite the imagination and provoke reflections on the rhizome of history.

This very layering became the starting point for the creators of the exhibition project "Grounding. An Exhibition-Opera." Students of the Scenography course at the British Higher School of Art and Design have transformed the space of the GROUND Solyanka gallery-workshop into a "timeless communal apartment," boldly combining various techniques and approaches: installation, performance, sound design, and graphics. Visitors can expect an immersive experience of alternative local history, balancing between document and myth.

The Salt Fish Yard was built in the 16th–17th centuries and served as a storage and trading space for salt, potash, and salted fish. The reconstructed and dilapidated buildings of the Salt Yard were dismantled in 1913. In their place, between 1913 and 1915, multi-story income houses in the neoclassical style were built. The architects behind the project were V.V. Sherwood, I.A. German, and A.E. Sergeev.

Beneath these buildings lie labyrinthine basements—possibly remnants of the old Salt Yard warehouses or storage spaces for the income houses. A series of long arches forms a network of enclosed courtyards, which have served as filming locations for numerous movies. Among the most notable are Brother 2 and the Soviet sci-fi classic Through the Thorns to the Stars. Today, this historic building houses the GROUND-Solyanka gallery-workshop.

The Salt Temple of Everyday Life

Salt is the mistress of this place. It sanctifies the old belongings of the house’s residents—their clothes, wardrobes—seeping through time, salting the entire space.

Salt preserves, protects.

Salt angels, the keepers of the Temple of Everyday Life, wander through the memories of the Salt House’s inhabitants, eavesdropping on their thoughts, performing rituals: carving salt symbols onto the doors of the wardrobe-temple, immersing objects in saline solutions.

From the house’s very depths—where the Salt Yard once stood—salt creeps upward, crystallizing on fabric. Household items, once merely possessions, become sacred relics. Some are no longer used in daily life but have transformed into cherished family heirlooms.

The relics of the Salt Temple come from the personal archive of Nina Grozdova, a third-generation resident of the House Beneath the Angels.

The exploration continues—artists learn more and more about the life of the Salt House from its residents, engraving their discoveries onto the wooden doors of the altar-wardrobe.

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Curators of the Course:

  • Polina Bakhtina, Galya Solodovnikova

Thesis Supervisor:

  • Katya Bochavar

Composer & Instructor:

  • Nikolay Popov

Director & Instructor:

  • Vladimir Bocharov

Exhibition Organized with the Support of:

  • A101 Group of Companies

Project Participants:

Nastya Aliyeva, Roman Vydashenko, Ida Ermoshina, Polina Ershova, Katya Klecina, Marina Motornaya, Vlada Kolesnikova, Anton Levdikov, Anastasia Mitkaleva, Natasha Naumova, Katya Novak, Dasha Shift, Lena Sakirko, Masha Buyanova, Katya Kharchenko, Sasha Khakhan, Sasha Tsoy, Anya Titova, TAKOE, Kuvandyk Ruzumov, Menshe

Grounding. Salt –

  • Alexandra Khakhan & Elena Sakirko

Khakhan

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